Monthly Archives: October 2016

Next to Now for October 28

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YOUTUBE VIEWING HABITS

YouTube is getting longer term views. The average viewing session on YouTube is now 40 minutes. That data point comes from a Google post about winning the customer over before s/he enters the store. While it’s written for larger brand advertisers—make-up, CPG, and cars—there are good takeaways for book advertising from the post.

#youtube #video #streaming

 

ON DATA AND “THE GIRL”

This isn’t advertising, but it’s such a rich analysis of book trends that anyone who loves books and data will find it irresistible: Acclaimed novelist Emily St. John Mandel writes a clever and nuanced post for Five Thirty Eight on publishing’s recent obsession with using the word “Girl” in titles. She looks at how many of the eponymous girls are actually girls (and how many are women), how many are written by women, how many are missing or lost or undead, and reports that we not yet reached peak “Girl”:

http://fivethirtyeight.com/features/the-gone-girl-with-the-dragon-tattoo-on-the-train/?&utm_medium=twitter&utm_source=twitterfeed

http://fivethirtyeight.com/features/the-gone-girl-with-the-dragon-tattoo-on-the-train/?&utm_medium=twitter&utm_source=twitterfeed

 

HOW’S YOUR CAMPAIGN DOING? ASK A BOT

There has been a fair amount of press on how brands are starting to use bots to buy pizza, call an Uber, or book a flight, and a good bit more about the potential for new advertising platforms using bots on messaging apps like Kik and What’s App. Now, an article in Marketing Land points out new bots that help you measure advertising campaigns by integrating directly with such platforms as Facebook and Google or with existing third party servers such as Media Math and Sizmek.

#bots #AI #metrics

 

IAB STANDARD UNITS ARE DEAD. LONG LIVE IAB STANDARD UNITS.

Once upon a time, the IAB tried to tame the Wild West of internet advertising by introducing three standard units that would work across most sites: 300×250, 728×90, and 160×600. For a few years, all was well in advertisingland. But the advent of tablets and the new dominance of mobile devices soon began to mean more and more sizes. Then the native ad boom kicked in and things got wilder than ever—to the point where a single campaign can require more than ten different size ads, each with its own maximum file size, preferred file type, and timing. Even the IAB can see that it’s time to revisit the standard unit. If you want a say in what ad sizes are next, the public comment period is now open. 

#iab #standard

 

…OR ARE CUSTOM BANNERS THE NEW FUTURE?

On the other hand, an article on Digiday looks into the proliferation of custom units on such sites as the New York Times and Quartz, and wonders if the days of the standard banner are truly numbered. There’s a tension between the custom banners that perform better than the standard units, and the need for standard units to function with programmatic platforms.

#custom #iab

 

 

 

Fall tree photo (c) 2016 Martha Otis

Next to Now for October 21

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NEW SPOTIFY VERTICAL VIDEO ADS

Spotify announced a new product — Vertical Video Ads — which allows advertisers to sponsor playlists. Users agree to watch the full video in exchange for thirty minutes of free listening. These kinds of ads are wins for the advertisers, the users, and the platform. At launch, the branded moments are based around six categories: chill time, workout, party, dinner, focus and sleep—each of which could work well for books from novels (chill time) to cookbooks (dinner) to lifestyle (workout). As with any newly launched ad product, the initial minimums are too great for any but the largest brand budgets. But with time, costs will come down, making this an initiative to watch.

#spotify #audio #streaming

SNAP TO UNLOCK: A NEW FUTURE OR THE NEXT QR CODE?

The first outdoor ads targeting Snapchat users for movies are running now in subways in NY and DC:

“Universal Pictures, a longtime Snapchat advertiser, is among the first to test the Snap code marketing for its new movie ‘The Girl On the Train.’ Mysterious billboards will be showing up around subways in New York and Washington, D.C., and in parts of Los Angeles, according to Doug Neil, exec VP of digital marketing at NBC Universal.”

While the premise may induce a painful deja vu for marketers who went through the great QR code marketing hype of a few years ago, the fact that Snapchat is already being used and recognized by a sizable audience makes all the difference. For genres such as YA, a Snap to Unlock campaign could make a delicious teaser.

#snapchat #outdoor #YA

 

WHAT MAKES A GREAT MOBILE AD FOR TEENS AND TWENTIES?

A new study of teens and people in their twenties shows that users in this age range care about content that can be saved and accessed later and expect ads to be relevant to their interests. Here’s more from eMarketer on the survey. 

216997 #mobile #millennials

 

WHAT’S THE BEST TIME TO SHOW ADS?

A new study suggests that more users are inclined to engage with an ad in the middle of the day than at other times during the work week. While ad exposure is valid throughout the day, mid-day is when more users are taking breaks from studying or working and so more apt to click on an ad.

#time #engagement

 

 

Apples at Union Square Market (c) 2016 Martha Otis

Next to Now for October 7

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THE NEW YORK TIMES GOES ALL-IN WITH FLEX

For the past year, the New York Times digital team has been testing a “Flex frame unit” that works seamlessly across devices and integrates more smoothly with the reading experience—including several tests with Verso clients. The overwhelmingly positive results of those test has led the New York Times to begin phasing out standard display units in favor of  the Flex frame unit. This does not signal the death of the standard IAB ad unit—300×250, 728×90, 160×600—yet. But it does signal that sites and platforms need to continue to evolve the best way to show ads to readers in ways that inform and delight. Here is the WSJ on the story.   

#nyt #flexframe

 

“HOW ADVERTISING WORKS TODAY”

A recently released study from the Advertising Research Foundation, “How Advertising Works Today,” investigates best practices for advertising across TV, print, radio and digital in 45 countries. Here are the key takeaways cited by Marketing Land: 

  • “Spending across multiple platforms delivers greater ROI than investing in single platforms.” For example, a campaign across two platforms generally delivers 19 percent more return on investment than on one platform. For three platforms, it’s 23 percent more; for five, 35 percent.

  • “There is actually a “kicker effect” when television is added back to digital spending.” Digital plus TV, the report found, can increase ROI 60 percent.

  • “This is also true for millennials who consume both traditional and new media.” Even for consumers aged 18 to 24, for instance, the optimal mix was found to be 71 percent traditional media (TV, radio, print) and 29 percent digital (including video, display and paid search). In other words, it’s not just mobile.

  • “’Silo investing’ in some digital formats too heavily can have diminishing returns and even cause sales to decline.” However, this finding was derived primarily from banner desktop ads — not exactly the most engaging format.

  • And the most impact for creative comes from an approach that is unified/connected across platforms, but tailored to each platform. “When campaigns are unified [creatively] across platforms,” ARF SVP Dr. Manuel Garcia-Garcia told the audience at the presentation, “memory activation is enhanced.”

While book publishing budgets do not often allow for including TV in the ad mix, it’s worth noting the bolded bit again based on the 5,000 campaigns included in the study: “The optimal mix was found to be 71 percent traditional media (TV, radio, print) and 29 percent digital.”

#data #research #mix

 

“CAPTIVATE VERSUS AGGRAVATE”

The same article in Marketing Land points to a study conducted by mobile ad firm Kargo together with neuroscience research firm MediaScience called, “Captivate vs. Aggravate.” The study looks at performance of common mobile units—the Adhesion Banner, the In-Stream Banner, the Interstitial—as well as a unit proprietary to Kargo called the Sidekick. It found that of the three common units, the Adhesion Banner had “fewer people [looking] at these banners for less time. Interstitials were considered the most “annoying,” drawing attention mostly from people looking for the X to make the ads go away. In-Stream Banners got the most positive results for time spent looking at the ad as well as for feelings about the product.

#mobile

 

CAN A NEWS BRAND GAIN TRACTION ON INSTAGRAM?

A report from Digiday suggests that Fox News is taking advantage of Instagram’s recent approval of longer video clips to gain a major audience on the platform.  With over 3 million comments, likes and regrams in September—growing faster than Business Insider, Washington Post and BuzzFeed, and out performing such stalward social news powerhouses ads the New York Times, BBC and CNN. Digiday notes a similar success for the brand on Facebook, and we would add that this report is consistent with the high engagement we’ve seen with ads across Fox News platforms. If you provide content that appeals to the conservative audience, a digital campaign on Fox News is one of the best ways to reach them.

#instagram #fox

 

CELEBRATING AMARO

We are thrilled to welcome into the world a bouncy bundle of bitter joy, AMARO: The new book that gives you a delicious introduction to  the bitter liqueurs known as Amaro by drinks expert, Ten Speed author, and Houghton Mifflin Harcourt Director of Culinary Marketing, Brad T. Parsons. Here’s a link to the New York Times piece on the book. A book authored by a Verso client at one esteemed publishing house and published by another? That’s AMARO. Cheers!

#amaro #drinksforeveryone

 

Photo taken under the stars in Brooklyn during a celebration for AMARO's publication (c) 2016 T. Thompson